Many of our members offer training courses for those new to turning, intermediate turners and also for more experienced turners looking for specialised tuition. All our tutors have many hours of hands-on experience delivering professionally structured courses in well equipped workshops, with an emphasis on health and safety, and where you can be assured you will receive top class tuition individually tailored to your requirements and ability.
If you’re a beginner or wish to learn new woodturning techniques our members can offer training in every aspect of woodturning.
When you book a training session with an RPT member, you can be certain that you will receive top quality tuition from a highly skilled turner who has years of woodturning and teaching experience.
Below are all the registered professional turners who offer a teaching service, randomly ordered. Click their name to view the complete details, or use the ‘Show Bio’ or ‘Show Map’ links for a quick view.
Martin is a well known YouTubing woodturner with an internationally known and respected channel with around 200 turning and business oriented videos freely available.
He has recently expanded his online presence by presenting online free, and paid-for demonstrations on his YouTube channel and through Zoom. By using the technology on-hand, he was at the forefront of the rapidly growing popularity of remote demonstrations during the Coronavirus pandemic, presenting to a global audience for free regularly between March and August 2020.
Turning clubs all over the UK, USA and Canada have since enjoyed remote presentations and Martin’s entertaining and informative method of demonstrating.
In the autumn of 2015, Martin started developing the popular range of Hampshire Sheen finishes that now includes a range of waxes, oils, sealer and lacquers. From there, he began blending his own range of water based colours in shades that he prefers – the Intrinsic Colour Collection and produced by Hampshire Sheen. This range of atmospheric shades are different to the other brighter colours on the market. Now employing two further staff, Hampshire Sheen products are available all over the UK, and are exported to Europe, the US, Canada and South Africa.
During lockdown in 2020, Martin founded ‘Woodturning360’, a solely online turning club that features monthly demonstrations from professional turners from around the world and discussion meetings. The club currently enjoys a growing membership of over 160 members.
From August 2020, Martin teamed up with the well known Les Thorne and together they founded ‘The Woodturning Shop’ based next-door to Hampshire Sheen where they both teach lessons on a variety of disciplines for groups and individuals. They both present remote demonstrations from here, too.
Martin’s own turning is more artistic rather than practical. The making of many of his pieces can be found on his YouTube channel, as well as for sale on his website, or at The Woodturning Shop. A keen teacher of woodturning and creative skills, Martin’s students complete their lessons with finished items and a unique insight in the creative process. They leave encouraged and inspired to pursue their woodturning hobby to the best of their ability.
In March 2023, Hampshire Sheen launch their Finishing Academy for users of the product range. With over 3 hours of video tutorials, students can improve their finishing and knowledge of the range.
Please note the workshop is open by appointment only. Martin is available on the phone Tuesday to Saturday 9.30am – 3pm.
On 29th May 2024, Martin separated the woodturning tuition from Hampshire Sheen to a new tuition-focused business – The Woodturning School.
As a professional woodturner I enjoy all aspects of woodturning. Functional, artistic, decorative, and inspirational. I have a passion for sharing my knowledge of the craft to beginners and intermediate turners alike. I provide one to one tuition both in my workshop, or I can travel to the students workshop to provide the same levels of instruction.
I am happy to take on commissioned work and will also provide quotes to the furniture, building, joinery and architectural industries.
I am also able to provide Interactive Remote Demonstrations using the studio software and hardware in my workshop to both clubs and individuals.
I have been working with wood for most of my adult life. I became a professional turner in about 1981 and was accepted onto the Register of Professional Turners in 2009. I became the Chairman of the RPT in 2016 stepping down from the role in 2021. I was made a Freeman of the Worshipful Company of Turners of London in November 2020. I am one of the few turners in the country to earn my living through turning. I undertake commercial work for the building industry such as stair spindles and newel posts, I also work for furniture makers producing legs and other componentry for their bespoke designs and carryout repairs for the antiques industry. I am a members of Wiltshire Crafts of Lacock which is a co-operative craft outlet.I also enjoy demonstrating at woodturning clubs and since Covid I also now offer live remote demonstrations. As a qualified adult educator I give woodturning lessons in my workshop in Wiltshire.In January 2024 I was pleased to be conferred with the British Empire Medal (BEM) for services to heritage crafts.
I initially trained in 3D design and for many years specialised in the design and manufacture of hand blown glass vessels and panels and large ceramic tile installations, for both private and commercial clients. Six years ago, I was given a lathe by a friend and that was the start of my passion for making in wood. Using mainly English native ‘green’ (recently felled) timber, my distinctive decorative vessels curve from a small footprint to beautiful, impressive objects with wide edges. They are usually rich in texture created with pyrography and carving, often embellished with acrylic colour and silver leaf. In 2015 I was the recipient of a Bursary from the Worshipful Company of Turners which enabled me to spend time working with Jacques Vesery, it was an amazing opportunity. That year I was also invited to participate in the UK Crafts Council ‘Hothouse’ scheme for emerging makers and this prompted me to decide to become a full-time maker in wood. My distinctive work is exported worldwide and has featured in many exhibitions in Europe, USA, the Middle East and Asia. It can be found in several private collections, numerous galleries and luxury homes and mansions and is becoming a firm favourite of interior designers. Bespoke pieces have also been commissioned for prestigious sporting events and corporate collections.
I have been professionally Turning for over 35 years, alongside making bespoke Furniture for leading designers. My Turnings have contributed to prestigious projects for many Royal Residences, Church’s, Museum’s and Government buildings. In 2020, at the start of the pandemic, I reviewed my work:life balance and decided to start Demonstrating, Teaching and Assessing.
I’m a member of the Worshipful Company Training Team. I deliver the Certificate in Woodturning in various locations across the UK and assess the Diploma course.
I am very passionate about passing on my skills and knowledge to fellow Turners, especially to our Young Turners.
I offer a variety of demonstrations in the UK and abroad.
I am a keen volunteer for a variety of charities and organisations. I have previously been a trustee member of AWGB and I’m a volunteer Tutor Assessor. I am also a committee member of the Heart of England Woodturners.
I also champion ‘TherapeuticTurning’, supporting people with their mental health, learning challenges and neurodiversity.
I have always liked wood as material, but it was not until 2009 that I first tried out a lathe. In 2010 I started to learn how to turn at the Max Carey Trust in Portishead, where I completed the first two courses. I then put together a third course, the Artisan, that extended skills and techniques.
Inspired in part by books, articles, demos, courses and seminars, both here in the UK, in France and the USA, I enjoy experimenting with many different techniques, materials and designs. As well as mixing woods together, other materials such as resins, pewter and soapstone provide extra variety. Many forms of decoration are used, especially airbrushing and texturing techniques. Having an engineering background, I like to complement it with right brained creativity in coming up with new ideas related to woodturning.
I have participated in many exhibitions and instant galleries over the years and continue to explore possibilities and try out new ideas. Numerous articles have been produced for several publications. My website gallery illustrates the particularly wide range of turned items.
Phil Jones has a lifetime of experience in woodturning and has a wide range of experience to fall back on, whether you require a one-off item or a production run of turned items whether copy turned on a copy lathe for mass production or as is often required hand turned. The picture is of a set of rustic bowls hand turned for Albion Barn which was following the remit of Max Lamb of being unsanded and with tooling marks from wet blanks supplied by Max from timber from Abion Barn estate.Whether you require a small antique replacement part or a run of chair back sticks Phil is likely to have completed them previously.
Phil was taught by time served woodturners in an informal apprenticeship and has also worked in other woodturning establishments , he started his business Acorn woodturning in 1988. He also offers woodturning lessons in a well-equipped traditional woodturning workshop with all the tools and safety equipment provided. The workshop has dust extraction and ambient air filters, tools and lathes, and a plentiful supply of timber, just waiting to be turned into shavings and of course a completed item.He recently has had the pleasure of working with Max Lamb on a Art exhibition which was held at Albion Barn and also appeared in the Financial Times in an article written by Arthur House.
WorkJarrow Business CentreUnit 319Rolling Mill RoadJarrowTyne and Weartyne and wearNE32 3DTUnited KingdomworkWork Phone:0191-4283320workMobile:+447533720285workfaxWork Email:zvpx1.wbuaf@bhgybbx.pbzINTERNET
I started turning 1n 1980 not long after completing a 3 year apprenticeship in carpentry and joinery. I bought a coronet elf along with a one day beginners course with Alan Batty , from that day on I was hooked and turning has been a part of my every day life since . I started my own business in 1996 as a production turner /furniture maker supplied other businesses with table legs ,stair spindles, newel posts, drawer knobs a whole manner of things . I also enjoyed making craft items for sale at craft fairs and country shows .More recently I have started teaching and demonstrating and I am looking forward to developing this side of my business along side my production turning. you can always be assured of a warm welcome and a passionate interest in all genre of turning.
Hi, I’m Nathan Savory, a developing master craftsman, with expertise in woodturning, laser cutting,photography and more.
Based in the EnglishLake District, Noble Roots crosses genres, taking craftsmanship into the modern era, yet preserving its innate heritage. Along with my wife Amanda, we are Noble Roots.
Long inspired by the natural world, from working as an outdoor Instructor, to capturing the outdoors on my camera, the quality of sustainable and tactile materials have captured my heart.
Every piece tells a story. My multi-layered skillset spans many medium, resulting in truly memorable, unique pieces that stand the test of time. The timeless heritage from the masters of these crafts deserve to be continued into our modern day.
Each projectis approached with the same care, precision and attention to detail, whether it’s bespoke in nature or a signature piece.
I am an Autistic Woodturner from Chester. I first began woodturning at the age of 13 when my DT teacher introduced me to the lathe. The first project I ever made was a ‘kururin’ rolling toy on the school lathe from an old beech rolling pin. It wasn’t the best piece but I still have it now to remind me how far I’ve come!
In 2019 I won the Young category of British Woodturner of the Year from the Guild of Master Craftsmen with a Zebrano segmented vase. My piece was exhibited at the Oxo Tower as part of “Celebrating British Craft’ exhibition. I began to enjoy making segmented work and went on to exhibit segmented pieces twice at the Royal Academy Young Artist’s Summer Show in London.
I was awarded a Bursary from the Worshipful Company of Turners in 2022 as well as being mentored by Colwin Way. I have been a part of the Emerging Turners Programme where I have learnt from some amazing woodturners and met lots of other young turners who have become great friends!
In 2023 as part of Woodturning Connect, I was honoured to be invited to exhibit in the ‘Master’s Exhibition’ based on the theme of the Coronation. I was awarded the ‘Choice Award’ from the V&A museum for my piece ‘Continuity Rings’. Aired in Nov. 2023 I won Channel 4’s Handmade: Britain’s Best Woodworker.
I particularly enjoy doing club demonstrations and tutoring at my home workshop.
WorkThe StudioFuranGarstan RoadPillingLancashirePR3 6ALworkMobile:07905332117workfaxWork Email:tertxragnevajbbq@tznvy.pbzINTERNETWeb:Greg Kent Art in Wood
Greg uses recycled wood from a local recycling social enterprise and collects wood from tree surgeons. Greg produces fine lace oak vases, bowls, tea and coffee services and lights from the oak wood he collects. Greg sandblasts the finely turned items to explore the natural qualities of the wood and exposing its history. Using recycled wood, typically from furniture, Greg produces large offset vases.
Greg worked as a Geography Teacher at a large Comprehensive School in Cumbria for the last 16 Years. He took up woodturning as a hobby in 2016 as a way of helping him relax. The hobby rapidly became an obsession and has now turned into a fulltime career.
Greg is a self-taught woodturner.In 2023 He was invited to be part of the Crafts Council’s Collect Open exhibition where he was awarded the Director’s Choice award. Greg was also selected to exhibit at the Royal Academy’s Summer Exhibition and the Worshipful Company of Turners Masters invitation event. He was a finalist in the 2023 Wood Awards.
The oak wood Greg collects is ‘turned green’, to a thickness of 2mm and allowed to dry. When dry the wood is sandblasted. This has the effect of removing the soft spring growth leaving a lace like effect. This can only be done with oak, which has medullary rays which go across the growth rings. This involves combining both wood turning and sculpting. What is produced, in Greg’s view, is fine art created by nature, and revealed by a craftsman.
Greg sells his work at Craft Fairs and exhibitions throughout the country. He also has work at the Flow Gallery in London and the Damsel gallery in Dorset. Ho work can also be purchased via his website.
Before retiring, Roger was the Rector of Greyfriars, Kirkcudbright and St. Mary’s Gatehouse of Fleet in Dumfries & Galloway so woodturning had to be squeezed into a fairly busy schedule.
Working with wood has always been an interest for Roger, something he inherited from his father.
For many years he concentrated on antique furniture restoration after studying under Barry Honeybone, a well-known furniture restorer in Herefordshire.
Some twenty years ago he became interested in woodturning after turning some small bun feet for a chest of drawers, but it’s an area which he now loves and spend most of his time doing.
When he first started turning he had lessons from world renowned turner Jimmy Clewes, learning the basics and then going on to look at hollowing. Since then, he has had lessons from Tracy Owen and Nikos Siragas in Crete where he concentrated on woodturning that incorporated carving.
Currently he is concentrating on making bowls, hollow vessels and what might be termed “wood art”, incorporating differing techniques by carving or using metal, and different woods; colour work also has a place.
The focus of his work is always the wood and shaping it in a way that will bring out its natural beauty.
The majority of his work is done using local wood,
Each piece of wood is always different, and the results are always a revelation and very tactile.
It’s a very addictive art form.
Roger is a member of the Galloway Woodturners and is Chairman of the Association of Woodturners of Great Britain
Having practised as a turner since 1991, Gregory was invited to join the Register of Professional Turners, held by the Worshipful Company of Turners, in 1996. Acceptance onto the register is by invitation only following assessment by a panel of peers who ensure that the highest standards of work and professionalism are met. It is the only professional body in the UK and enjoys a world wide reputation. Gregory was privileged to be invited to address the Company at a number of meetings, and for many served on the committee as membership secretary. Gregory was featured in the first ‘Diary of a Craft Worker’ series published by the “Craftsman Magazine” in 1997-8 and has been profiled in “Woodturning” magazine.
Gregory specialises in the unique, and welcomes challenge. His more unusual work has included making replacement pieces for antique instruments; willow-workers’ tools; bespoke instruments for reflexology crafted to each individual practitioner; tables made from tree slices and forms for potters and designers. He has even fulfilled a commission to make a bedroom sink. He has collaborated with an unconventional silversmith to create spectacular silvered forms in petrified wood. He also turns unique bowls, platters, vases and display pieces. Gregory draws inspiration from the individuality of wood and it is very important to him that each piece grows from the grain and inclusions unique to each piece of timber. As a result no two pieces are identical. Furthermore he holds to a strict ecological policy. No timber where the provenance cannot be guaranteed will be used. Enquiries are welcome, and each uniquely numbered piece has a story. Most timbers come from the UK or Australia and are often reclaimed or recycled. Gregory has a piece in the ‘Daniel Collection’, one of the most important British collections of turned work. Gregory exhibits internationally at select galleries, respected craft fairs as well as the internet. He has been highly placed in several competitions within the woodturning world and has pieces accepted for the nationwide display circuit. A previous coordinator for the National Festival of Art and Craft in Wood, Gregory offers individual tuition, demonstrations and lectures, both to interested amateurs and other professionals. For an up to date list of venues where Gregory and/or his work can been seen please contact him direct or check out his web site http://www.moreton.co.uk
Colin has been working with wood for over 35 years. Wood turning is a integral part of my career – working in wood – Furniture, Turning, Letter carving and a select number of wood turning courses. Whether a piece of treen, a turned component on a piece of furniture or using the “practice” of turning to enable a jig to be made on a complex furniture design. As well as everyday small batch turned treen, Colin has a particular interest in geometrical sculptural shaped pieces using the natural beauty of timber, but in addition understanding the selection of timber for such pieces. In addition to this the use of colour to pronounce grain formations using traditional techniques when time permits. Most of Colin’s designed individual pieces are made to commission, with the majority involving some turning. (This includes public, private and ecclesiastical work) In addition to commissioned pieces, Colin sells his work from his workshop/showroom by appointment, some of the Sussex Guild exhibitions. (others listed on my website). Colin also runs a limited number of turning courses every year………. A recent commission as lead collaborator, was part of a four craftspeople job. A new Crosier for The Bishop of Stepney (London) in Laburnum, with Stainless Steel connectors. A Pewter Crosier Head with an Anodised Kingfisher and an embossed leather carrying case. Other notable commissions in the past have included – Offertory Bowls for Portsmouth Cathedral, Turned Components for the Lord Chancellors apartments, Turned components on Choir stalls and a Thurible Stand (Ecclesiastical) (both part of larger commissions made within the workshop) Colin mainly uses local timber for his pieces but occasionally does use exotic timbers because of their pure colours that emphasise the turned or sculptural form. You are welcome to come to my workshop to view products and discuss commissions – however this is strictly by appointment.
WorkUnit 44Holmebank Business ParkWest YorkshireMirfieldWf148naEnglandworkWork Phone:01924491949workWork Email:Fnyrf@gnlybefzvesvryq.pb.hxINTERNETWeb:Beginners Woodturning Experience Day
My woodturning journey started when I was in my early teens around the year 2000. After leaving school in 2002 I studied furniture making and restoration, whilst working part time in a Woodturning supply shop. I then took a hiatus and went into education and worked in a school. Coming back to woodturning in 2014 when I set up Taylors Mirfield.
5 years ago I went full time with my little shop and, as they say, have never looked back!
In 2020 I was accepted onto the Register of Professional Turners.
I now offer a broad range of pen turning and woodturning supplies as well as offering tutoring within our purpose build classroom, and now demo’s.
Began turning in 1990 with ornamental pieces, added production hand turning in 1993. Predominantly do ecclesiastical and restoration work now, but happy to look at a range of turned requirements from one offs to small and large production runs. Can incorporate e.g. fluted sections to turned pieces, working from your designs, or can offer a design and produce service in a range of timbers with a maximum spindle length of 2.4m and faceplate work of up to 0.6m diameter. Relocated to Thornhill Scotland in late 2023.
My career in woodturning started in 1986 after leaving engineering. I spent many years attending craft fairs. A major change happened when I moved into a craft workshop with my wife Wendy who is a glass artist. I was accepted onto the Register in 2006 this was a very proud moment for me. I like to work with native timber, mostly from tree surgeons; this allows me to choose the way it’s converted to obtain the best figuring. My work ranges from utility ware to works of art. I produce small to large items which I sell in my shop. In 2010 I was commissioned to make the trophies for the UCI world mounting bike event at Dalby Forest North Yorkshire. Since 2008 I have demonstrated at the Harrogate Woodworking Show. I have run courses in my workshop since 2006. I enjoy passing on my skills and knowledge to new students. These are run one to one unless you would like to bring a friend. Online courses and IRDs Demonstrations are available ask for details. https://greenwoodcrafts.co.uk/ird-by-philip-greenwood/ I was Vice-Chairman of the RPT for 4 years until I stepped down in 2020
Michael, a born and bred Orcadian, who has been practicing the craft of wood turning for over 28 years, is self-taught. Michael has honed his skills using a combination of practice, experimentation and his desire to produce fine attractive pieces. He was accepted onto the Register of Professional Turners in 2017. Influence and inspiration is drawn from the works of Neolithic inhabitants of ancient Orkney. During the long bright summer days, the light on the landscapes inspires new designs, while the long dark nights of winter is the time when he is most productive in his workshop. Wood is obtained from sustainable sources and is processed on site with our own sawmill, from log to finished piece. The traditions and culture of the islands are an important part of Michael’s life and his work reflects his affinity with Orkney and its heritage of craftsmanship. All this results in Michael creating unique wooden decorative pieces suitable for home decor , bespoke gifts or to enhance any public spaces. Our wood turning business is run from our home where we have a small gallery and visitors are also welcome to see the workshop.
I have been turning now for 12 years and it has become a passion of mine.
How I started turning came when I was offered the opportunity to buy our local school lathe, the one I had used at the school many years ago. Well I jumped at the opportunity to purchase it and I have never looked back since !
I am self taught and have learned through my mistakes rightly or wrongly so. I am now a member of two local clubs which I attend whenever possible. I suppose I am the same as everyone else starting away with smaller items such as pens etc and progressing to larger and more intricate pieces. I do a lot of wet turning and then reintroduce the items back onto the lathe to turn and finish.
I am a big fan of Stuart Mortimer and love to try and mirror the type of pieces that he is famous for. Lately I have been experimenting turning platters at 7 different centres and was quite pleased at the outcome. I have also been making large segmented Christmas Trees standing 5ft tall that have been popular with my clientele. One of the other things that I like making is anything that is left looking natural as possible once finished. I have undertaken a few demonstrations at my local clubs and this is something that I would like to expand on.
I am also a qualified AWGB INSTRUCTOR and I do teaching from within my workshop. This is something that is growing in popularity .
Brian J Ousby: –Woodturner, Designer and Creator of wood turned Art, Working from the Stables Studio. Based in the peaceful and Stunning countryside of Ballykinler Lower Co Down, Northern Ireland.
Woodturning to create bespoke Woodart pieces both decorative and Functional. I am passionate in the production of high quality work for you to enjoy.
As an AWGB tutor as well as Professional turner, I would like nothing more than helping you get started in this exciting and creative hobby.
Wood is a peculiar material. Most other materials used by artists are quite uniform in nature and appearance. Metal, glass, plastics, clay, and even canvas, they all are comparatively bland and plain in their initial state, and it is entirely up to the artist to transform them into the object they envision.
Wood, in contrast, has a lot of character even before this process starts. It ranges from the almost uniform right through to the opposite end of the spectrum, where the artist only adds some finishing touches to expose its natural beauty. This brings with it some additional challenges and opportunities. Where is the balance between nature and nurture?
My work exhibits this range to the full, from pieces where the wood is used as a plain canvas and heavily decorated with colour and carvings all the way to simply showing off nature’s creation in the best light. Yet always my aim is to achieve simple, elegant, timeless forms that will survive the inevitable change of colour of the natural wood.
The influences are many. Art Deco, Bauhaus, Asian art, and even Greek and Roman style elements can be found. Just like every artist, I strive to express myself in every single piece, to find a place where each item says “I was created by Wolfgang”. Thus, although we can never achieve perfection, each item is unique and all of them carry a piece of my soul.
Les left a career in special needs teaching in January 2015, to pursue a life-long interest in working with wood, by developing his hobby of woodturning, which he had commenced just 2 years earlier. He is based in the town of Bala, in the Snowdonia National Park where he has his principal workshop and where he sources most of his raw materials. Whilst he is content to make functional, utilitarian pieces, Les prefers to work with storm-damaged and weathered timber, incorporating materials such as leather, copper, silver and semi-precious stones into his work. Les’s work has been included in both the on-line gallery and in the printed newsletter of the Association of Woodturners of Great Britain, and he has had the honour of having more than 30 of his more artistic pieces declared ‘Woodturning of the Week’ by an international woodturners’ web-site. and his work has been exhibited in galleries and arts centres throughout north Wales. In March of 2015, upon setting up his business, Les set himself the goal of developing his wood-turning skills to a sufficiently high level to be accepted onto the Register of Professional Turners, and he gained this accolade in February 2016, becoming one of only four registered woodturners then working in Wales. With a first-class honours degree in Education and Training, and with years of experience in adult education, a natural progression of Les’s work is the tutoring that he commenced in 2017 and which has since become a major element in his woodturning business. Since 2018 Les has been a regular feature writer and Guest Editor for the world-famous “Woodturning” magazine, which is published by The Guild of Master Craftsmen – GMC Publications. Primarily Les writes articles of a practical, project-based nature, but also occasionally articles of technical content.
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