Many of our members offer training courses for those new to turning, intermediate turners and also for more experienced turners looking for specialised tuition. All our tutors have many hours of hands-on experience delivering professionally structured courses in well equipped workshops, with an emphasis on health and safety, and where you can be assured you will receive top class tuition individually tailored to your requirements and ability.
If you’re a beginner or wish to learn new woodturning techniques our members can offer training in every aspect of woodturning.
When you book a training session with an RPT member, you can be certain that you will receive top quality tuition from a highly skilled turner who has years of woodturning and teaching experience.
Below are all the registered professional turners who offer a teaching service, randomly ordered. Click their name to view the complete details, or use the ‘Show Bio’ or ‘Show Map’ links for a quick view.
I have been professionally Turning for over 35 years, alongside making bespoke Furniture for leading designers. My Turnings have contributed to prestigious projects for many Royal Residences, Church’s, Museum’s and Government buildings. In 2020, at the start of the pandemic, I reviewed my work:life balance and decided to start Demonstrating, Teaching and Assessing.
I’m a member of the Worshipful Company Training Team. I deliver the Certificate in Woodturning in various locations across the UK and assess the Diploma course.
I am very passionate about passing on my skills and knowledge to fellow Turners, especially to our Young Turners.
I offer a variety of demonstrations in the UK and abroad.
I am a keen volunteer for a variety of charities and organisations. I have previously been a trustee member of AWGB and I’m a volunteer Tutor Assessor. I am also a committee member of the Heart of England Woodturners.
I also champion ‘TherapeuticTurning’, supporting people with their mental health, learning challenges and neurodiversity.
Phil Jones has a lifetime of experience in woodturning and has a wide range of experience to fall back on, whether you require a one-off item or a production run of turned items whether copy turned on a copy lathe for mass production or as is often required hand turned. The picture is of a set of rustic bowls hand turned for Albion Barn which was following the remit of Max Lamb of being unsanded and with tooling marks from wet blanks supplied by Max from timber from Abion Barn estate.Whether you require a small antique replacement part or a run of chair back sticks Phil is likely to have completed them previously.
Phil was taught by time served woodturners in an informal apprenticeship and has also worked in other woodturning establishments , he started his business Acorn woodturning in 1988. He also offers woodturning lessons in a well-equipped traditional woodturning workshop with all the tools and safety equipment provided. The workshop has dust extraction and ambient air filters, tools and lathes, and a plentiful supply of timber, just waiting to be turned into shavings and of course a completed item.He recently has had the pleasure of working with Max Lamb on a Art exhibition which was held at Albion Barn and also appeared in the Financial Times in an article written by Arthur House.
WorkJarrow Business CentreUnit 319Rolling Mill RoadJarrowTyne and Weartyne and wearNE32 3DTUnited KingdomworkWork Phone:0191-4283320workMobile:+447533720285workfaxWork Email:zvpx1.wbuaf@bhgybbx.pbzINTERNET
I started turning 1n 1980 not long after completing a 3 year apprenticeship in carpentry and joinery. I bought a coronet elf along with a one day beginners course with Alan Batty , from that day on I was hooked and turning has been a part of my every day life since . I started my own business in 1996 as a production turner /furniture maker supplied other businesses with table legs ,stair spindles, newel posts, drawer knobs a whole manner of things . I also enjoyed making craft items for sale at craft fairs and country shows .More recently I have started teaching and demonstrating and I am looking forward to developing this side of my business along side my production turning. you can always be assured of a warm welcome and a passionate interest in all genre of turning.
I started turning wood as a creative pastime in the mid-90s whilst living and working in the field of International Development in East Africa and South Asia. My motivation at the time .. I’ve always loved working with wood, and woodturning provided an ideal way to de-stress after an intense day of meetings and travel. Directing a razor sharp tool into a chunk of irregular wood rotating at speed requires ALL of your attention!
It’s doubly rewarding when you can get to know and learn from local artists and crafts persons and share with others something unique that you have created.
I’m now UK-based, in a wonderful rural setting close to Abergavenny. I still have some involvement in the field of International Development but the Turning/Woodart now takes the more significant proportion of my time as I’ve engaged with exhibitions, galleries, and more recently in training and supporting others. I am accredited as a tutor by the Association of Woodturners of Great Britain (AWGB) and am an active member of the Forest of Dean and Herefordshire woodturning clubs.
Turning is the foundation to all of my pieces but over the years I have developed skills in a range of other techniques and materials to enhance and build on the initial turned item. I’m lucky to have access to locally sourced woods of unusual character and colour. Sometimes this is enough in its own right, sometimes I may add carved and pierced features, apply texturing, scorching and pyrography techniques, stains and acrylics to achieve a final piece of “woodart”.
Martin is a well known YouTubing woodturner with an internationally known and respected channel with around 200 turning and business oriented videos freely available.
He has recently expanded his online presence by presenting online free, and paid-for demonstrations on his YouTube channel and through Zoom. By using the technology on-hand, he was at the forefront of the rapidly growing popularity of remote demonstrations during the Coronavirus pandemic, presenting to a global audience for free regularly between March and August 2020.
Turning clubs all over the UK, USA and Canada have since enjoyed remote presentations and Martin’s entertaining and informative method of demonstrating.
In the autumn of 2015, Martin started developing the popular range of Hampshire Sheen finishes that now includes a range of waxes, oils, sealer and lacquers. From there, he began blending his own range of water based colours in shades that he prefers – the Intrinsic Colour Collection and produced by Hampshire Sheen. This range of atmospheric shades are different to the other brighter colours on the market. Now employing two further staff, Hampshire Sheen products are available all over the UK, and are exported to Europe, the US, Canada and South Africa.
During lockdown in 2020, Martin founded ‘Woodturning360’, a solely online turning club that features monthly demonstrations from professional turners from around the world and discussion meetings. The club currently enjoys a growing membership of over 160 members.
From August 2020, Martin teamed up with the well known Les Thorne and together they founded ‘The Woodturning Shop’ based next-door to Hampshire Sheen where they both teach lessons on a variety of disciplines for groups and individuals. They both present remote demonstrations from here, too.
Martin’s own turning is more artistic rather than practical. The making of many of his pieces can be found on his YouTube channel, as well as for sale on his website, or at The Woodturning Shop. A keen teacher of woodturning and creative skills, Martin’s students complete their lessons with finished items and a unique insight in the creative process. They leave encouraged and inspired to pursue their woodturning hobby to the best of their ability.
In March 2023, Hampshire Sheen launch their Finishing Academy for users of the product range. With over 3 hours of video tutorials, students can improve their finishing and knowledge of the range.
Please note the workshop is open by appointment only. Martin is available on the phone Tuesday to Saturday 9.30am – 3pm.
On 29th May 2024, Martin separated the woodturning tuition from Hampshire Sheen to a new tuition-focused business – The Woodturning School.
I am an Autistic Woodturner from Chester. I first began woodturning at the age of 13 when my DT teacher introduced me to the lathe. The first project I ever made was a ‘kururin’ rolling toy on the school lathe from an old beech rolling pin. It wasn’t the best piece but I still have it now to remind me how far I’ve come!
In 2019 I won the Young category of British Woodturner of the Year from the Guild of Master Craftsmen with a Zebrano segmented vase. My piece was exhibited at the Oxo Tower as part of “Celebrating British Craft’ exhibition. I began to enjoy making segmented work and went on to exhibit segmented pieces twice at the Royal Academy Young Artist’s Summer Show in London.
I was awarded a Bursary from the Worshipful Company of Turners in 2022 as well as being mentored by Colwin Way. I have been a part of the Emerging Turners Programme where I have learnt from some amazing woodturners and met lots of other young turners who have become great friends!
In 2023 as part of Woodturning Connect, I was honoured to be invited to exhibit in the ‘Master’s Exhibition’ based on the theme of the Coronation. I was awarded the ‘Choice Award’ from the V&A museum for my piece ‘Continuity Rings’. Aired in Nov. 2023 I won Channel 4’s Handmade: Britain’s Best Woodworker.
I particularly enjoy doing club demonstrations and tutoring at my home workshop.
Before retiring, Roger was the Rector of Greyfriars, Kirkcudbright and St. Mary’s Gatehouse of Fleet in Dumfries & Galloway so woodturning had to be squeezed into a fairly busy schedule.
Working with wood has always been an interest for Roger, something he inherited from his father.
For many years he concentrated on antique furniture restoration after studying under Barry Honeybone, a well-known furniture restorer in Herefordshire.
Some twenty years ago he became interested in woodturning after turning some small bun feet for a chest of drawers, but it’s an area which he now loves and spend most of his time doing.
When he first started turning he had lessons from world renowned turner Jimmy Clewes, learning the basics and then going on to look at hollowing. Since then, he has had lessons from Tracy Owen and Nikos Siragas in Crete where he concentrated on woodturning that incorporated carving.
Currently he is concentrating on making bowls, hollow vessels and what might be termed “wood art”, incorporating differing techniques by carving or using metal, and different woods; colour work also has a place.
The focus of his work is always the wood and shaping it in a way that will bring out its natural beauty.
The majority of his work is done using local wood,
Each piece of wood is always different, and the results are always a revelation and very tactile.
It’s a very addictive art form.
Roger is a member of the Galloway Woodturners and is Chairman of the Association of Woodturners of Great Britain
Having practised as a turner since 1991, Gregory was invited to join the Register of Professional Turners, held by the Worshipful Company of Turners, in 1996. Acceptance onto the register is by invitation only following assessment by a panel of peers who ensure that the highest standards of work and professionalism are met. It is the only professional body in the UK and enjoys a world wide reputation. Gregory was privileged to be invited to address the Company at a number of meetings, and for many served on the committee as membership secretary. Gregory was featured in the first ‘Diary of a Craft Worker’ series published by the “Craftsman Magazine” in 1997-8 and has been profiled in “Woodturning” magazine.
Gregory specialises in the unique, and welcomes challenge. His more unusual work has included making replacement pieces for antique instruments; willow-workers’ tools; bespoke instruments for reflexology crafted to each individual practitioner; tables made from tree slices and forms for potters and designers. He has even fulfilled a commission to make a bedroom sink. He has collaborated with an unconventional silversmith to create spectacular silvered forms in petrified wood. He also turns unique bowls, platters, vases and display pieces. Gregory draws inspiration from the individuality of wood and it is very important to him that each piece grows from the grain and inclusions unique to each piece of timber. As a result no two pieces are identical. Furthermore he holds to a strict ecological policy. No timber where the provenance cannot be guaranteed will be used. Enquiries are welcome, and each uniquely numbered piece has a story. Most timbers come from the UK or Australia and are often reclaimed or recycled. Gregory has a piece in the ‘Daniel Collection’, one of the most important British collections of turned work. Gregory exhibits internationally at select galleries, respected craft fairs as well as the internet. He has been highly placed in several competitions within the woodturning world and has pieces accepted for the nationwide display circuit. A previous coordinator for the National Festival of Art and Craft in Wood, Gregory offers individual tuition, demonstrations and lectures, both to interested amateurs and other professionals. For an up to date list of venues where Gregory and/or his work can been seen please contact him direct or check out his web site http://www.moreton.co.uk
Colin has been working with wood for over 35 years. Wood turning is a integral part of my career – working in wood – Furniture, Turning, Letter carving and a select number of wood turning courses. Whether a piece of treen, a turned component on a piece of furniture or using the “practice” of turning to enable a jig to be made on a complex furniture design. As well as everyday small batch turned treen, Colin has a particular interest in geometrical sculptural shaped pieces using the natural beauty of timber, but in addition understanding the selection of timber for such pieces. In addition to this the use of colour to pronounce grain formations using traditional techniques when time permits. Most of Colin’s designed individual pieces are made to commission, with the majority involving some turning. (This includes public, private and ecclesiastical work) In addition to commissioned pieces, Colin sells his work from his workshop/showroom by appointment, some of the Sussex Guild exhibitions. (others listed on my website). Colin also runs a limited number of turning courses every year………. A recent commission as lead collaborator, was part of a four craftspeople job. A new Crosier for The Bishop of Stepney (London) in Laburnum, with Stainless Steel connectors. A Pewter Crosier Head with an Anodised Kingfisher and an embossed leather carrying case. Other notable commissions in the past have included – Offertory Bowls for Portsmouth Cathedral, Turned Components for the Lord Chancellors apartments, Turned components on Choir stalls and a Thurible Stand (Ecclesiastical) (both part of larger commissions made within the workshop) Colin mainly uses local timber for his pieces but occasionally does use exotic timbers because of their pure colours that emphasise the turned or sculptural form. You are welcome to come to my workshop to view products and discuss commissions – however this is strictly by appointment.
WorkUnit 44Holmebank Business ParkWest YorkshireMirfieldWf148naEnglandworkWork Phone:01924491949workWork Email:Fnyrf@gnlybefzvesvryq.pb.hxINTERNETWeb:Beginners Woodturning Experience Day
My woodturning journey started when I was in my early teens around the year 2000. After leaving school in 2002 I studied furniture making and restoration, whilst working part time in a Woodturning supply shop. I then took a hiatus and went into education and worked in a school. Coming back to woodturning in 2014 when I set up Taylors Mirfield.
5 years ago I went full time with my little shop and, as they say, have never looked back!
In 2020 I was accepted onto the Register of Professional Turners.
I now offer a broad range of pen turning and woodturning supplies as well as offering tutoring within our purpose build classroom, and now demo’s.
I have been turning now for 12 years and it has become a passion of mine.
How I started turning came when I was offered the opportunity to buy our local school lathe, the one I had used at the school many years ago. Well I jumped at the opportunity to purchase it and I have never looked back since !
I am self taught and have learned through my mistakes rightly or wrongly so. I am now a member of two local clubs which I attend whenever possible. I suppose I am the same as everyone else starting away with smaller items such as pens etc and progressing to larger and more intricate pieces. I do a lot of wet turning and then reintroduce the items back onto the lathe to turn and finish.
I am a big fan of Stuart Mortimer and love to try and mirror the type of pieces that he is famous for. Lately I have been experimenting turning platters at 7 different centres and was quite pleased at the outcome. I have also been making large segmented Christmas Trees standing 5ft tall that have been popular with my clientele. One of the other things that I like making is anything that is left looking natural as possible once finished. I have undertaken a few demonstrations at my local clubs and this is something that I would like to expand on.
I am also a qualified AWGB INSTRUCTOR and I do teaching from within my workshop. This is something that is growing in popularity .
Brian J Ousby: –Woodturner, Designer and Creator of wood turned Art, Working from the Stables Studio. Based in the peaceful and Stunning countryside of Ballykinler Lower Co Down, Northern Ireland.
Woodturning to create bespoke Woodart pieces both decorative and Functional. I am passionate in the production of high quality work for you to enjoy.
As an AWGB tutor as well as Professional turner, I would like nothing more than helping you get started in this exciting and creative hobby.
I have been working with wood for most of my adult life. I became a professional turner in about 1981 and was accepted onto the Register of Professional Turners in 2009. I became the Chairman of the RPT in 2016 stepping down from the role in 2021. I was made a Freeman of the Worshipful Company of Turners of London in November 2020. I am one of the few turners in the country to earn my living through turning. I undertake commercial work for the building industry such as stair spindles and newel posts, I also work for furniture makers producing legs and other componentry for their bespoke designs and carryout repairs for the antiques industry. I am a members of Wiltshire Crafts of Lacock which is a co-operative craft outlet.I also enjoy demonstrating at woodturning clubs and since Covid I also now offer live remote demonstrations. As a qualified adult educator I give woodturning lessons in my workshop in Wiltshire.
I first discovered the pleasure of creating with wood when I attended an evening course at the Bristol Women’s Workshop, in the mid 1980’s. My tutor persuaded me that I had a natural affinity to both working with wood and teaching (she encouraged me to show others in the group the skills I had advanced further forward with).
Consequently I went onto study Fine Furniture and Woodmachining both to Advanced City & Guilds levels. Whilst learning I taught on the Women’s Workshop course I had started with myself, and also provided courses for a charity that specialised in provision of craft courses for vulnerable adults.
Whilst attending my furniture studies I enjoyed producing woodturned components for pieces of furniture, gaining confidence with copy turning and making items that reflected drawn designs for drawer handles, table legs, etc.
I discovered Max Carey’s workshop in Portishead in 2002, which later became the Max Carey Woodturning Trust and for which I am a trustee. My woodturning skills and passion for turning advanced quickly here and my teaching provision evolved to become more about woodturning rather than furniture.
I now provide 1-2-1 woodturning tuition, to adults, and occasional demonstrations when I am able fit them in.
Wood is a peculiar material. Most other materials used by artists are quite uniform in nature and appearance. Metal, glass, plastics, clay, and even canvas, they all are comparatively bland and plain in their initial state, and it is entirely up to the artist to transform them into the object they envision.
Wood, in contrast, has a lot of character even before this process starts. It ranges from the almost uniform right through to the opposite end of the spectrum, where the artist only adds some finishing touches to expose its natural beauty. This brings with it some additional challenges and opportunities. Where is the balance between nature and nurture?
My work exhibits this range to the full, from pieces where the wood is used as a plain canvas and heavily decorated with colour and carvings all the way to simply showing off nature’s creation in the best light. Yet always my aim is to achieve simple, elegant, timeless forms that will survive the inevitable change of colour of the natural wood.
The influences are many. Art Deco, Bauhaus, Asian art, and even Greek and Roman style elements can be found. Just like every artist, I strive to express myself in every single piece, to find a place where each item says “I was created by Wolfgang”. Thus, although we can never achieve perfection, each item is unique and all of them carry a piece of my soul.
Les left a career in special needs teaching in January 2015, to pursue a life-long interest in working with wood, by developing his hobby of woodturning, which he had commenced just 2 years earlier. He is based in the town of Bala, in the Snowdonia National Park where he has his principal workshop and where he sources most of his raw materials. Whilst he is content to make functional, utilitarian pieces, Les prefers to work with storm-damaged and weathered timber, incorporating materials such as leather, copper, silver and semi-precious stones into his work. Les’s work has been included in both the on-line gallery and in the printed newsletter of the Association of Woodturners of Great Britain, and he has had the honour of having more than 30 of his more artistic pieces declared ‘Woodturning of the Week’ by an international woodturners’ web-site. and his work has been exhibited in galleries and arts centres throughout north Wales. In March of 2015, upon setting up his business, Les set himself the goal of developing his wood-turning skills to a sufficiently high level to be accepted onto the Register of Professional Turners, and he gained this accolade in February 2016, becoming one of only four registered woodturners then working in Wales. With a first-class honours degree in Education and Training, and with years of experience in adult education, a natural progression of Les’s work is the tutoring that he commenced in 2017 and which has since become a major element in his woodturning business. Since 2018 Les has been a regular feature writer and Guest Editor for the world-famous “Woodturning” magazine, which is published by The Guild of Master Craftsmen – GMC Publications. Primarily Les writes articles of a practical, project-based nature, but also occasionally articles of technical content.
Originally from the Glasgow area in Scotland, I now live in the beautiful area of Moray, Northern Scotland. Surrounded by Mountains on one side and the coast on the other. Nestled on the edge of the Spey Valley we are spoilt with stunning scenery and wildlife, not to mention the 50 + whisky distilleries in the local area.
With a background of over 30 years in Mechanical Engineering, I was first introduced to Woodturning in the early 90’s where I, like many, started off with cheap and cheerful equipment trying to learn by myself from books, magazines and videos. This went on for a few years till work commitments, Family life and the seemingly lack of progression got in the way. Unfortunately, at this point I unwittingly sold all my turning equipment.
A few years later I caught the “BUG” again and have not looked back since.
With the addition of colour and texture to my work it has opened a lot more avenues to the direction I am heading.
In 2016 I was lucky enough to pass as an AWGB accredited Demonstrator and Instructor and then the following Year (Aug 2017) I was accepted onto The Register of Professional Turners which for me has been the highlight of my turning career so far.
I have been fortunate to demonstrate at both local, National and International events, the latter of which I would like to do more.
Working with wood and woodturning has always been an important part of my life and although it was not my main career it remained an integral part of my leisure time and I took every chance to increase my skills. In 2001 I decided to immerse myself in woodturning as a full time business. The woods I use are almost entirely from recycled and sustainable sources. Some have been rescued from the log pile or from local orchards, farms and gardens. Inspired by organic forms and natural surroundings I allow the beauty of the wood to suggest the shape and purpose of the piece. I take commissions for special items and offer 1 to 1 tuition at my workshop in Long Sutton, Nr Langport, Somerset. I am a Registered Professional Turner, a member of The Somerset Guild of Craftsmen and the Association of Woodturners of Great Britain.
Robert at Kraftinwood has a spacious fully equipped workshop including a VB36 as well as two other lathes, a 181″ bandsaw and a fully ducted cyclone dust extraction system as well as many tools and cutters ~ up to 2 metres+ in length !!. Robert teaches wood turning to beginners through to seasoned turners wishing to enhance their skills and try out various techniques and aspire to learn about creative design rather than just turning wood. Robert also stocks turning blanks, Hamlet and Hope tools. Kraft Village also has a large contemporary Public Art gallery of various artists work in a range of mixed mediums, here you will normally see over 500 of Roberts exquisite turned and carved pieces on display and for sale. You will also at Kraft Village Chair Making Museum CIC usually see Robert giving a guided tour which includes everything about the wonderful Heritage of chair making in the area including a demonstration on the shave horse, pole and treadle lathes of how the Bodgers made the round parts to produce 4,700 Windsor chairs a day !!! (at its peak in 1875).
After completing a 3yr course studying Art & 3D Design I decided to set up my workshop at my home in Brayford a small village which ;ies on the edge of Exmoor National Park. Being surrounded by the wild beauty of Exmoor and the rugged coastline of North Devon it is not hard to find inspiration.
The sea features greatly within my work using water based dyes which I mix and blend for my coloured pieces. I like to keep materials as natural as possible and source where possible wood which has grown in or around Exmoor with the exception that I am given wood from other localities. I mainly use Ash as my preferred choice although Sycamore, beech and sometimes Oak as they are more readily available. Working with the grain, type of wood and any interesting feature the wood may reveal makes each piece unique and I feel very privileged to be the first person to see “Beneath the Bark”, for me this form of recycling continues to be an inspiration.
I like to keep my work simple and minimalist as possible creating flowing curves which are visually appealing and pleasing to the touch. Having exhibited in galleries throughout the UK I have been privileged to be awarded silver in The Craft and Design on line selected awards whilst also taking part in exhibitions at the Devon Guild of Craftsmen at Bovey Tracey.
I was born and raised in Yorkshire and began woodturning after being diagnosed with Multiple Sclerosis. At that time I worked in heavy industry and continued there until I realised that this job involved far too many risks for someone with sensory problems so I began looking for something new and challenging to occupy my time. I have always been active and for some reason fascinated by fast moving machinery (mainly motorbikes and drag cars). I had up to that point preferred metalwork to woodwork (on the basis that if you made a mistake with wood you couldn’t weld it back together!) My first attempt at woodturning was a bowl, turned on a 19th century engineering lathe using a couple of homemade tools (highly dangerous and not to be encouraged!); that’s when I realised I had found a craft that I not only enjoyed immensely, but one for which I had natural ability. I hurriedly purchased “proper” tools and made much better progress. After a while I needed an outlet for my work and started to attend local craft fairs, selling work in order to fund more trips to the wood suppliers for timber to play with. I also joined the local Woodturning Club and began to expand my aptitude and design skills, gaining confidence with experience. I subsequently gained NVQ 3 in Woodturning and in 2002 achieved City & Guilds 7307 teaching certificate. In 2004 I was honoured to be accepted on to the Register of Professional Turners. I have been a tutor at John Boddy’s Wood & Tool Store for several years, until they closed. I have demonstrated at various clubs and wood suppliers nationally.
I have a purpose built workshop at home where I teach, usually on a one to one basis, beginners and intermediate levels. All teaching incorporates Health and Safety instruction and advice on safe practice. I also undertake commissions including private, architectural and commercial pieces and have work exhibited Nationally.
Covid 19 almost put a stop on teaching and demonstrating,( it is now [2022] starting to make a comeback) thankfully I had the production/commission side to take in the slack, I now work with six joinery companies and three staircase companies
Although I am happy to work with moist types of timber, I have always been drawn to timber with interesting grain patterns and inclusions of bark, faults, and even the odd nail etc. (the sort of stuff that many would condemn to the log basket). I can often be found rummaging in log piles looking for that special piece of timber which can, and often does, produce a wonderful and unique piece of work.
Most of the time I have an idea in mind when I embark on a project; but occasionally the piece of timber I am working has other ideas entirely and I end up going down a completely different track – it’s all about putting the right shavings on the floor! I always look to work with mother nature in whatever piece I produce, she has infinitely more experience than I.
ALL my timber is sourced either locally (often damaged or fallen trees etc.) or from reputable timber merchants who in turn obtain wood from managed, renewable sources.
I have always had a very positive attitude to life and believe that boundaries are there to be pushed. So what if I have no feeling in my hands or my legs don’t want to work – it won’t stop me doing what I love to do; If I can’t do it one way I WILL find an alternative. What started out as a hobby has become a passion and a way of life and I love to share both my creativity and my knowledge with anyone who will listen.
I have been wood turning for 45 years and professionally 33years. My work is influenced by Japanese architecture and sculptures such as Barbara Hepworth and David Nash, using woods such as sycamore, ash together combining different burrs for inlays. I sell my work through galleries throughout the UK and with this experience enjoy teaching in my workshop plus giving demonstrations to different association’s.
Joe became the youngest approved tutor at 16 years and in 2019 was awarded The Worshipful Company of Turners Bursary. He then went on to be recognised by The Register of Professional Turners and his artwork is now in high demand by investors and collectors alike. Private tuition is available at his workshop in Dorset by appointment. Follow the link to his website for details.
Christopher Fisher RPT is known as the Blind Woodturner and is currently the UK’s only completely blind professional and accredited Woodturner.
Born in 1969 in Eccles, Manchester, Chris lost his sight in 2008 at the age of 39, and over a period of four weeks due to Toxoplasmosis. Following a year of rehabilitation to relearn basic life skills, and after coming to terms with the impact of losing his sight –with side effects including anxiety, hallucinations and muscle spasms – Chris took up woodturning so that he could make himself a vampire stake! He’s a huge horror film fan!
Chris is a self-taught Woodturner, acquiring his initial knowledge by listening to YouTube video tutorials for over 600 hours. He turned his first commission in 2014, and became a full time self-employed Woodturner in 2018.
Chris uses both traditional and modern carbide tools and owns four lathes. His ambition is to become a sought after and respected Woodturning artist like his hero and mentor, Nick Agar. Chris specialises in creating textured sensory and tactile pieces of art and enjoys the challenge of applying colour, both freehand and using stencils.
Chris now travels around the UK giving public woodturning demonstrations, speaking about his experiences, and sharing his story, in order to inspire and motivate people, no matter what their circumstances, to achieve their full potential. His message is simple – whenever you feel like you want to give up, just keep on turning.
In 2019 Chris became the first completely blind Woodturner to be accepted on to the Register of Professional Turners. He is also a member of the Association of Woodturners of Great Britain (AWGB).
Chris became the first Patron for the charity, UK Men’s Sheds Association, in January 2020, an organisation that champions the Men’s Sheds movement to combat isolation and loneliness and empower local communities.
Chris has been featured on BBC North West, BBC Sunday Morning Live, BBC Reel, BBC Radio Manchester, That’s Lancashire, and on the cover of Woodturning Magazine.
Chris lives in Derbyshire with his wife, Nicola, and his Guide Dog, Bamber.
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