Many of our members offer training courses for those new to turning, intermediate turners and also for more experienced turners looking for specialised tuition. All our tutors have many hours of hands-on experience delivering professionally structured courses in well equipped workshops, with an emphasis on health and safety, and where you can be assured you will receive top class tuition individually tailored to your requirements and ability.
If you’re a beginner or wish to learn new woodturning techniques our members can offer training in every aspect of woodturning.
When you book a training session with an RPT member, you can be certain that you will receive top quality tuition from a highly skilled turner who has years of woodturning and teaching experience.
Below are all the registered professional turners who offer a teaching service, randomly ordered. Click their name to view the complete details, or use the ‘Show Bio’ or ‘Show Map’ links for a quick view.
One of the things I really enjoy about this craft is the range of different types of woodturning , from segmented work , general lathe work such as newel posts, sets of table and chair legs , furniture repairs and lately spinning wheels which have become an interest , even letter carving which can be added to a turned item or as a stand alone piece there is always things to learn and pass that knowledge on to students
I started Woodturning at school and carried on into my teens. I started again some years later and turned professional in 1993. Since then, I have demonstrated at clubs and exhibitions all over the country.
I supply Chestnut Products, Record Power and Crown Tools.
Woodturning courses are available for half day, 1, 2 or 3 days for beginners, intermediate or advanced turners on a one to one basis at competitive rates.
Based at Porchfield Business Park near Newport on the Isle of Wight, The Mulberry Tree Woodturnery was started in March 2013 by Andy Fortune.
Andy had been a hobby wood turner since 1997 with the purchase of his first lathe and later started his full-time wood turning business with the help and support of his wife, Nikki.
Andy has many years of experience and specialises in making bowls, platters and hollow forms from locally sourced timber from the Isle of Wight but can also offer specialist bespoke turning services for most types of turning.
Many of Andy’s one-off signature pieces are laced with leather or copper wire in the style of the Japanese philosophy of ‘Wabi-Sabi’ and are made from individually selected pieces of timber sourced on the island.
Andy sells his own unique hand crafted turnery, takes commissions, and sells direct to the public at the Mulberry Tree Woodturnery workshop where he also provides his 5* rated beginner and intermediate bowl turning courses for individuals or groups of up to four people.
Andy is an active member of the Wight Woodturners which meets twice monthly in Newport. (www.wightwoodturners.org.uk)
The Mulberry Tree Woodturnery is the main Isle of Wight agents for Record Power tools and equipment, Robert Sorby, Chestnut Finishing Products and Hampshire Sheen.
With the recent addition of a horizontal sawmill Andy is now able to process locally sourced trees which he converts into boards and bowl blanks to retail to local woodworkers, hobbyists and the building trade.
The first time of placing gouge on timber conjured a very visceral response – a feeling of being home. This, however, happened some 25 years ago, during years living in New Zealand, eleven and a half thousand miles away from home.
The immediacy and spontaneity of shaping timber on a lathe became such a joy and so captivating; the relationship with the timber, process and the lathe never failed to create inner peace.
My early work was driven by a desire to perfect technique. Consequently, this created a diverse range of work and skills. Latterly, my work is more considered, but never loosing that sense of humour I impart to some of my work.
Woodturning and designing on the lathe with its creative possibilities continue to enthral and my fascination with the medium keeps me driven to find the perfect curve; for some artists the process is not important. For me however, it is one part of the whole. Whatever I create, the search for perfect form and sensuous curve is paramount.
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