Many of our members offer training courses for those new to turning, intermediate turners and also for more experienced turners looking for specialised tuition. All our tutors have many hours of hands-on experience delivering professionally structured courses in well equipped workshops, with an emphasis on health and safety, and where you can be assured you will receive top class tuition individually tailored to your requirements and ability.
If you’re a beginner or wish to learn new woodturning techniques our members can offer training in every aspect of woodturning.
When you book a training session with an RPT member, you can be certain that you will receive top quality tuition from a highly skilled turner who has years of woodturning and teaching experience.
Below are all the registered professional turners who offer a teaching service, randomly ordered. Click their name to view the complete details, or use the ‘Show Bio’ or ‘Show Map’ links for a quick view.
Having retired from the army in 2017 after 33 years in the Royal Artillery, I was able to return to a hobby I first started at school, but had never had the time to pursue properly. I was hugely fortunate to train under the internationally acclaimed Master Turner, Stuart Mortimer, whose support and encouragement steered me to become a full time turner in 2018. I turned professional in 2019 with the launch of Butterwood and was accepted onto the Register of Professional Turners in September the same year. I am a regular at the Salisbury Arts Scene events, am a member of the Artful Collective and have exhibited in several local galleries and art events.
With a passion for all wood, I initially concentrated on segmented designs that make the most of the huge variety of colour and grain found in both domestic and exotic hardwoods. However, with so many aspects to wood turning, I am continually trying different techniques in order to expand my repertoire. Currently I am working on a series of bowls inspired by garden flowers that have started me down the carving route and I have been very lucky to enter into a collaboration with a local jeweller, Monica Wilson, who is producing a series of insects in Sterling Silver for me to incorporate into my pieces.
I undertake commissions and like to include my clients in every step from design to production. This has frequently including the use of a clients own wood, especially where the tree had sentimental value. I am also very keen to share my love of turning and offer instruction and taster days at my workshop in the beautiful Avon Valley using locally sourced timber.
On 24th April 2019, I was awarded the honour of Master in Turning, in recognition of my contribution the art and mystery of the craft of turning. This was awarded to me by an Electoral College, comprising of representatives from the Worshipful Company of Turners, The Society of Ornamental Turners, The Association of Pole Lathe Turners and Green Woodworkers. In 1975, at the age of 16, Gary started a three year apprenticeship with a small woodturning company in Chesham called Joseph Reynolds. After 18 months was put on piece work turning mainly peppermills and kitchen ware. This experience was to help enormously when he became self-employed in 1987. However, prior to this was a 10 year period with another woodturning firm turning stair balusters and chair parts. It was at this point that Gary became involved with Stewart Linford of High Wycombe who makes the famous Windsor Chair and exports world-wide.It is since becoming self-employed that Gary has made his mark on the woodturning scene, with success in competitions, articles of his work in various woodworking magazines, and demonstrating for trade companies. One of these being Racal, where Gary demonstrated their respirator for several years and was involved heavily in its promotion at woodworking exhibitions. Exhibitions include the National Exhibition Centre Birmingham, Wembley, Axminster in Devon as well as woodturning clubs all over Great Britain, Belgium, France, Channel Islands, Ireland, Norway and two Utah Symposiums in Provo, Salt Lake City and Iceland. Gary has also demonstrated twice at the AWGB International Seminar at Warwick University. Gary is also on the Register of Professional Turners. Gary is considered one of the fastest and most accurate production woodturners in the U.K and is one of only a few whose income comes solely from woodturning.
Gary has a customer base of approximately 500, some of these are supplying such places as Harrods and Liberty’s and has also produced work for the homes of the Duke of Westminster and British celebrities. Gary was also asked to turn a wooden baby rattle, which was presented to Prince Harry on the birth of his son Archie.
Gary has also produced tools for the woodturner, notably his round skew chisels which come in different sizes, lightpull drive, Box Scraper and his Easybead tool. He can turn his hand to spindle turning, bowl turning, hollow forms and twists and says that he will make anything from a lace bobbin to a billiard table leg.
Gary has been asked to teach on numerous occasions by Craft Supplies and has been teaching at Craft Supplies in France past two years. Axminster Power Tools plus many individuals. You can often see him taking a Master Class at various shows and has taught for three days at Axminster but due to the demands of his production business does not always have the time.
Based at Porchfield Business Park near Newport on the Isle of Wight, The Mulberry Tree Woodturnery was started in March 2013 by Andy Fortune.
Andy had been a hobby wood turner since 1997 with the purchase of his first lathe and later started his full-time wood turning business with the help and support of his wife, Nikki.
Andy has many years of experience and specialises in making bowls, platters and hollow forms from locally sourced timber from the Isle of Wight but can also offer specialist bespoke turning services for most types of turning.
Many of Andy’s one-off signature pieces are laced with leather or copper wire in the style of the Japanese philosophy of ‘Wabi-Sabi’ and are made from individually selected pieces of timber sourced on the island.
Andy sells his own unique hand crafted turnery, takes commissions, and sells direct to the public at the Mulberry Tree Woodturnery workshop where he also provides his 5* rated beginner and intermediate bowl turning courses for individuals or groups of up to four people.
Andy is an active member of the Wight Woodturners which meets twice monthly in Newport. (www.wightwoodturners.org.uk)
The Mulberry Tree Woodturnery is the main Isle of Wight agents for Record Power tools and equipment, Robert Sorby, Chestnut Finishing Products and Hampshire Sheen.
With the recent addition of a horizontal sawmill Andy is now able to process locally sourced trees which he converts into boards and bowl blanks to retail to local woodworkers, hobbyists and the building trade.
Following my Fine Arts Degree, I worked at the National Theatre in the Prop Making Department for 27 years and was the main woodturner. This meant I combined my Fine Arts skills with all manor of crafts and problem solving; for example making a 7 metre table with 9” square section turned legs for Richard 3rd, which had to survive being violently thrown over by Sir Ian McKellen every night in order to form a defensive battlement! I made an exceptional barber’s chair for the production of Sweeney Todd for which I had to make a welded metal frame clad with a very complicated series of split turnings to disguise the mechanism.
Following my Theatre career I now do individual commissions from small runs of production work such as furniture legs and decorations etc. I am also a Potter and turn items in wood to compliment this work, such as wooden lids for the caddies I make.
Please feel free to contact me via my email address, commissions are welcome.
The first time of placing gouge on timber conjured a very visceral response – a feeling of being home. This, however, happened some 25 years ago, during years living in New Zealand, eleven and a half thousand miles away from home.
The immediacy and spontaneity of shaping timber on a lathe became such a joy and so captivating; the relationship with the timber, process and the lathe never failed to create inner peace.
My early work was driven by a desire to perfect technique. Consequently, this created a diverse range of work and skills. Latterly, my work is more considered, but never loosing that sense of humour I impart to some of my work.
Woodturning and designing on the lathe with its creative possibilities continue to enthral and my fascination with the medium keeps me driven to find the perfect curve; for some artists the process is not important. For me however, it is one part of the whole. Whatever I create, the search for perfect form and sensuous curve is paramount.
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