Many of our members offer training courses for those new to turning, intermediate turners and also for more experienced turners looking for specialised tuition. All our tutors have many hours of hands-on experience delivering professionally structured courses in well equipped workshops, with an emphasis on health and safety, and where you can be assured you will receive top class tuition individually tailored to your requirements and ability.
If you’re a beginner or wish to learn new woodturning techniques our members can offer training in every aspect of woodturning.
When you book a training session with an RPT member, you can be certain that you will receive top quality tuition from a highly skilled turner who has years of woodturning and teaching experience.
Below are all the registered professional turners who offer a teaching service, randomly ordered. Click their name to view the complete details, or use the ‘Show Bio’ or ‘Show Map’ links for a quick view.
I have been wood turning for 52 years and professionally 40years. My work is influenced by Japanese architecture and sculptures such as Barbara Hepworth and David Nash, using woods such as sycamore, ash together combining different burrs for inlays. I sell my work through galleries throughout the UK and with this experience enjoy teaching in my workshop plus giving demonstrations to different association’s.
Martin is a well known YouTubing woodturner with an internationally known and respected channel with around 200 turning and business oriented videos freely available.
He has recently expanded his online presence by presenting online free, and paid-for demonstrations on his YouTube channel and through Zoom. By using the technology on-hand, he was at the forefront of the rapidly growing popularity of remote demonstrations during the Coronavirus pandemic, presenting to a global audience for free regularly between March and August 2020.
Turning clubs all over the UK, USA and Canada have since enjoyed remote presentations and Martin’s entertaining and informative method of demonstrating.
In the autumn of 2015, Martin started developing the popular range of Hampshire Sheen finishes that now includes a range of waxes, oils, sealer and lacquers. From there, he began blending his own range of water based colours in shades that he prefers – the Intrinsic Colour Collection and produced by Hampshire Sheen. This range of atmospheric shades are different to the other brighter colours on the market. Now employing two further staff, Hampshire Sheen products are available all over the UK, and are exported to Europe, the US, Canada and South Africa.
During lockdown in 2020, Martin founded ‘Woodturning360’, a solely online turning club that features monthly demonstrations from professional turners from around the world and discussion meetings. The club currently enjoys a growing membership of over 160 members.
From August 2020, Martin teamed up with the well known Les Thorne and together they founded ‘The Woodturning Shop’ based next-door to Hampshire Sheen where they both teach lessons on a variety of disciplines for groups and individuals. They both present remote demonstrations from here, too.
Martin’s own turning is more artistic rather than practical. The making of many of his pieces can be found on his YouTube channel, as well as for sale on his website, or at The Woodturning Shop. A keen teacher of woodturning and creative skills, Martin’s students complete their lessons with finished items and a unique insight in the creative process. They leave encouraged and inspired to pursue their woodturning hobby to the best of their ability.
In March 2023, Hampshire Sheen launch their Finishing Academy for users of the product range. With over 3 hours of video tutorials, students can improve their finishing and knowledge of the range.
Please note the workshop is open by appointment only. Martin is available on the phone Tuesday to Saturday 9.30am – 3pm.
On 29th May 2024, Martin separated the woodturning tuition from Hampshire Sheen to a new tuition-focused business – The Woodturning School.
As a professional woodturner I enjoy all aspects of woodturning. Functional, artistic, decorative, and inspirational. I have a passion for sharing my knowledge of the craft to beginners and intermediate turners alike. I provide one to one tuition both in my workshop, or I can travel to the students workshop to provide the same levels of instruction.
I am happy to take on commissioned work and will also provide quotes to the furniture, building, joinery and architectural industries.
I am also able to provide Interactive Remote Demonstrations using the studio software and hardware in my workshop to both clubs and individuals.
I have been working with wood for most of my adult life. I became a professional turner in about 1981 and was accepted onto the Register of Professional Turners in 2009. I became the Chairman of the RPT in 2016 stepping down from the role in 2021. I was made a Freeman of the Worshipful Company of Turners of London in November 2020. I am one of the few turners in the country to earn my living through turning. I undertake commercial work for the building industry such as stair spindles and newel posts, I also work for furniture makers producing legs and other componentry for their bespoke designs and carryout repairs for the antiques industry. I am a members of Wiltshire Crafts of Lacock which is a co-operative craft outlet.I also enjoy demonstrating at woodturning clubs and since Covid I also now offer live remote demonstrations. As a qualified adult educator I give woodturning lessons in my workshop in Wiltshire.In January 2024 I was pleased to be conferred with the British Empire Medal (BEM) for services to heritage crafts.
I initially trained in 3D design and for many years specialised in the design and manufacture of hand blown glass vessels and panels and large ceramic tile installations, for both private and commercial clients. Six years ago, I was given a lathe by a friend and that was the start of my passion for making in wood. Using mainly English native ‘green’ (recently felled) timber, my distinctive decorative vessels curve from a small footprint to beautiful, impressive objects with wide edges. They are usually rich in texture created with pyrography and carving, often embellished with acrylic colour and silver leaf. In 2015 I was the recipient of a Bursary from the Worshipful Company of Turners which enabled me to spend time working with Jacques Vesery, it was an amazing opportunity. That year I was also invited to participate in the UK Crafts Council ‘Hothouse’ scheme for emerging makers and this prompted me to decide to become a full-time maker in wood. My distinctive work is exported worldwide and has featured in many exhibitions in Europe, USA, the Middle East and Asia. It can be found in several private collections, numerous galleries and luxury homes and mansions and is becoming a firm favourite of interior designers. Bespoke pieces have also been commissioned for prestigious sporting events and corporate collections.
I have been professionally Turning for over 35 years, alongside making bespoke Furniture for leading designers. My Turnings have contributed to prestigious projects for many Royal Residences, Church’s, Museum’s and Government buildings. In 2020, at the start of the pandemic, I reviewed my work:life balance and decided to start Demonstrating, Teaching and Assessing.
I’m a member of the Worshipful Company Training Team. I deliver the Certificate in Woodturning in various locations across the UK and assess the Diploma course.
I am very passionate about passing on my skills and knowledge to fellow Turners, especially to our Young Turners.
I offer a variety of demonstrations in the UK and abroad.
I am a keen volunteer for a variety of charities and organisations. I have previously been a trustee member of AWGB and I’m a volunteer Tutor Assessor. I am also a committee member of the Heart of England Woodturners.
I also champion ‘TherapeuticTurning’, supporting people with their mental health, learning challenges and neurodiversity.
I have always liked wood as material, but it was not until 2009 that I first tried out a lathe. In 2010 I started to learn how to turn at the Max Carey Trust in Portishead, where I completed the first two courses. I then put together a third course, the Artisan, that extended skills and techniques.
Inspired in part by books, articles, demos, courses and seminars, both here in the UK, in France and the USA, I enjoy experimenting with many different techniques, materials and designs. As well as mixing woods together, other materials such as resins, pewter and soapstone provide extra variety. Many forms of decoration are used, especially airbrushing and texturing techniques. Having an engineering background, I like to complement it with right brained creativity in coming up with new ideas related to woodturning.
I have participated in many exhibitions and instant galleries over the years and continue to explore possibilities and try out new ideas. Numerous articles have been produced for several publications. My website gallery illustrates the particularly wide range of turned items.
I started turning wood as a creative pastime in the mid-90s whilst living and working in the field of International Development in East Africa and South Asia. My motivation at the time .. I’ve always loved working with wood, and woodturning provided an ideal way to de-stress after an intense day of meetings and travel. Directing a razor sharp tool into a chunk of irregular wood rotating at speed requires ALL of your attention!
It’s doubly rewarding when you can get to know and learn from local artists and crafts persons and share with others something unique that you have created.
I’m now UK-based, in a wonderful rural setting close to Abergavenny. I still have some involvement in the field of International Development but the Turning/Woodart now takes the more significant proportion of my time as I’ve engaged with exhibitions, galleries, and more recently in training and supporting others. I am accredited as a tutor by the Association of Woodturners of Great Britain (AWGB) and am an active member of the Forest of Dean and Herefordshire woodturning clubs.
Turning is the foundation to all of my pieces but over the years I have developed skills in a range of other techniques and materials to enhance and build on the initial turned item. I’m lucky to have access to locally sourced woods of unusual character and colour. Sometimes this is enough in its own right, sometimes I may add carved and pierced features, apply texturing, scorching and pyrography techniques, stains and acrylics to achieve a final piece of “woodart”.
Hi, I’m Nathan Savory, a developing master craftsman, with expertise in woodturning, laser cutting,photography and more.
Based in the EnglishLake District, Noble Roots crosses genres, taking craftsmanship into the modern era, yet preserving its innate heritage. Along with my wife Amanda, we are Noble Roots.
Long inspired by the natural world, from working as an outdoor Instructor, to capturing the outdoors on my camera, the quality of sustainable and tactile materials have captured my heart.
Every piece tells a story. My multi-layered skillset spans many medium, resulting in truly memorable, unique pieces that stand the test of time. The timeless heritage from the masters of these crafts deserve to be continued into our modern day.
Each projectis approached with the same care, precision and attention to detail, whether it’s bespoke in nature or a signature piece.
I am an Autistic Woodturner from Chester. I first began woodturning at the age of 13 when my DT teacher introduced me to the lathe. The first project I ever made was a ‘kururin’ rolling toy on the school lathe from an old beech rolling pin. It wasn’t the best piece but I still have it now to remind me how far I’ve come!
In 2019 I won the Young category of British Woodturner of the Year from the Guild of Master Craftsmen with a Zebrano segmented vase. My piece was exhibited at the Oxo Tower as part of “Celebrating British Craft’ exhibition. I began to enjoy making segmented work and went on to exhibit segmented pieces twice at the Royal Academy Young Artist’s Summer Show in London.
I was awarded a Bursary from the Worshipful Company of Turners in 2022 as well as being mentored by Colwin Way. I have been a part of the Emerging Turners Programme where I have learnt from some amazing woodturners and met lots of other young turners who have become great friends!
In 2023 as part of Woodturning Connect, I was honoured to be invited to exhibit in the ‘Master’s Exhibition’ based on the theme of the Coronation. I was awarded the ‘Choice Award’ from the V&A museum for my piece ‘Continuity Rings’. Aired in Nov. 2023 I won Channel 4’s Handmade: Britain’s Best Woodworker.
I particularly enjoy doing club demonstrations and tutoring at my home workshop.
WorkThe StudioFuranGarstan RoadPillingLancashirePR3 6ALworkMobile:07905332117workfaxWork Email:tertxragnevajbbq@tznvy.pbzINTERNETWeb:Greg Kent Art in Wood
Greg uses recycled wood from a local recycling social enterprise and collects wood from tree surgeons. Greg produces fine lace oak vases, bowls, tea and coffee services and lights from the oak wood he collects. Greg sandblasts the finely turned items to explore the natural qualities of the wood and exposing its history. Using recycled wood, typically from furniture, Greg produces large offset vases.
Greg worked as a Geography Teacher at a large Comprehensive School in Cumbria for the last 16 Years. He took up woodturning as a hobby in 2016 as a way of helping him relax. The hobby rapidly became an obsession and has now turned into a fulltime career.
Greg is a self-taught woodturner.In 2023 He was invited to be part of the Crafts Council’s Collect Open exhibition where he was awarded the Director’s Choice award. Greg was also selected to exhibit at the Royal Academy’s Summer Exhibition and the Worshipful Company of Turners Masters invitation event. He was a finalist in the 2023 Wood Awards.
The oak wood Greg collects is ‘turned green’, to a thickness of 2mm and allowed to dry. When dry the wood is sandblasted. This has the effect of removing the soft spring growth leaving a lace like effect. This can only be done with oak, which has medullary rays which go across the growth rings. This involves combining both wood turning and sculpting. What is produced, in Greg’s view, is fine art created by nature, and revealed by a craftsman.
Greg sells his work at Craft Fairs and exhibitions throughout the country. He also has work at the Flow Gallery in London and the Damsel gallery in Dorset. Ho work can also be purchased via his website.
Before retiring, Roger was the Rector of Greyfriars, Kirkcudbright and St. Mary’s Gatehouse of Fleet in Dumfries & Galloway so woodturning had to be squeezed into a fairly busy schedule.
Working with wood has always been an interest for Roger, something he inherited from his father.
For many years he concentrated on antique furniture restoration after studying under Barry Honeybone, a well-known furniture restorer in Herefordshire.
Some twenty years ago he became interested in woodturning after turning some small bun feet for a chest of drawers, but it’s an area which he now loves and spend most of his time doing.
When he first started turning he had lessons from world renowned turner Jimmy Clewes, learning the basics and then going on to look at hollowing. Since then, he has had lessons from Tracy Owen and Nikos Siragas in Crete where he concentrated on woodturning that incorporated carving.
Currently he is concentrating on making bowls, hollow vessels and what might be termed “wood art”, incorporating differing techniques by carving or using metal, and different woods; colour work also has a place.
The focus of his work is always the wood and shaping it in a way that will bring out its natural beauty.
The majority of his work is done using local wood,
Each piece of wood is always different, and the results are always a revelation and very tactile.
It’s a very addictive art form.
Roger is a member of the Galloway Woodturners and is Chairman of the Association of Woodturners of Great Britain
Andy James has been woodturning for over 25 years. He was fortunate to have been taught and mentored by the interationally renowned turner, Chris Stott.
2004 – Andy exhibited his work at the British Craft Trade Fair and received the Highly Commended Best Newcomer award. Subsequently his work was exhibited in galleries throughout the UK.
2005 – He was accepted onto the Register of Professional Turners.
2006 -2016 – Andy lived in France where is work was very well received at fairs and exhibitions. His pieces are now in private collections worldwide.
Andy has continued to develop his skills and specialises in segmented designs, in particular miniature segmented hollow forms. He likes to share is knowledge and skills and regularly does so via demonstrations at clubs and other events throughout the UK.
Having practised as a turner since 1991, Gregory was invited to join the Register of Professional Turners, held by the Worshipful Company of Turners, in 1996. Acceptance onto the register is by invitation only following assessment by a panel of peers who ensure that the highest standards of work and professionalism are met. It is the only professional body in the UK and enjoys a world wide reputation. Gregory was privileged to be invited to address the Company at a number of meetings, and for many served on the committee as membership secretary. Gregory was featured in the first ‘Diary of a Craft Worker’ series published by the “Craftsman Magazine” in 1997-8 and has been profiled in “Woodturning” magazine.
Gregory specialises in the unique, and welcomes challenge. His more unusual work has included making replacement pieces for antique instruments; willow-workers’ tools; bespoke instruments for reflexology crafted to each individual practitioner; tables made from tree slices and forms for potters and designers. He has even fulfilled a commission to make a bedroom sink. He has collaborated with an unconventional silversmith to create spectacular silvered forms in petrified wood. He also turns unique bowls, platters, vases and display pieces. Gregory draws inspiration from the individuality of wood and it is very important to him that each piece grows from the grain and inclusions unique to each piece of timber. As a result no two pieces are identical. Furthermore he holds to a strict ecological policy. No timber where the provenance cannot be guaranteed will be used. Enquiries are welcome, and each uniquely numbered piece has a story. Most timbers come from the UK or Australia and are often reclaimed or recycled. Gregory has a piece in the ‘Daniel Collection’, one of the most important British collections of turned work. Gregory exhibits internationally at select galleries, respected craft fairs as well as the internet. He has been highly placed in several competitions within the woodturning world and has pieces accepted for the nationwide display circuit. A previous coordinator for the National Festival of Art and Craft in Wood, Gregory offers individual tuition, demonstrations and lectures, both to interested amateurs and other professionals. For an up to date list of venues where Gregory and/or his work can been seen please contact him direct or check out his web site http://www.moreton.co.uk
Colin has been working with wood for over 35 years. Wood turning is a integral part of my career – working in wood – Furniture, Turning, Letter carving and a select number of wood turning courses. Whether a piece of treen, a turned component on a piece of furniture or using the “practice” of turning to enable a jig to be made on a complex furniture design. As well as everyday small batch turned treen, Colin has a particular interest in geometrical sculptural shaped pieces using the natural beauty of timber, but in addition understanding the selection of timber for such pieces. In addition to this the use of colour to pronounce grain formations using traditional techniques when time permits. Most of Colin’s designed individual pieces are made to commission, with the majority involving some turning. (This includes public, private and ecclesiastical work) In addition to commissioned pieces, Colin sells his work from his workshop/showroom by appointment, some of the Sussex Guild exhibitions. (others listed on my website). Colin also runs a limited number of turning courses every year………. A recent commission as lead collaborator, was part of a four craftspeople job. A new Crosier for The Bishop of Stepney (London) in Laburnum, with Stainless Steel connectors. A Pewter Crosier Head with an Anodised Kingfisher and an embossed leather carrying case. Other notable commissions in the past have included – Offertory Bowls for Portsmouth Cathedral, Turned Components for the Lord Chancellors apartments, Turned components on Choir stalls and a Thurible Stand (Ecclesiastical) (both part of larger commissions made within the workshop) Colin mainly uses local timber for his pieces but occasionally does use exotic timbers because of their pure colours that emphasise the turned or sculptural form. You are welcome to come to my workshop to view products and discuss commissions – however this is strictly by appointment.
Michael, a born and bred Orcadian, who has been practicing the craft of wood turning for over 28 years, is self-taught. Michael has honed his skills using a combination of practice, experimentation and his desire to produce fine attractive pieces. He was accepted onto the Register of Professional Turners in 2017. Influence and inspiration is drawn from the works of Neolithic inhabitants of ancient Orkney. During the long bright summer days, the light on the landscapes inspires new designs, while the long dark nights of winter is the time when he is most productive in his workshop. Wood is obtained from sustainable sources and is processed on site with our own sawmill, from log to finished piece. The traditions and culture of the islands are an important part of Michael’s life and his work reflects his affinity with Orkney and its heritage of craftsmanship. All this results in Michael creating unique wooden decorative pieces suitable for home decor , bespoke gifts or to enhance any public spaces. Our wood turning business is run from our home where we have a small gallery and visitors are also welcome to see the workshop.
Brian J Ousby: –Woodturner, Designer and Creator of wood turned Art, Working from the Stables Studio. Based in the peaceful and Stunning countryside of Ballykinler Lower Co Down, Northern Ireland.
Woodturning to create bespoke Woodart pieces both decorative and Functional. I am passionate in the production of high quality work for you to enjoy.
As an AWGB tutor as well as Professional turner, I would like nothing more than helping you get started in this exciting and creative hobby.
Wood is a peculiar material. Most other materials used by artists are quite uniform in nature and appearance. Metal, glass, plastics, clay, and even canvas, they all are comparatively bland and plain in their initial state, and it is entirely up to the artist to transform them into the object they envision.
Wood, in contrast, has a lot of character even before this process starts. It ranges from the almost uniform right through to the opposite end of the spectrum, where the artist only adds some finishing touches to expose its natural beauty. This brings with it some additional challenges and opportunities. Where is the balance between nature and nurture?
My work exhibits this range to the full, from pieces where the wood is used as a plain canvas and heavily decorated with colour and carvings all the way to simply showing off nature’s creation in the best light. Yet always my aim is to achieve simple, elegant, timeless forms that will survive the inevitable change of colour of the natural wood.
The influences are many. Art Deco, Bauhaus, Asian art, and even Greek and Roman style elements can be found. Just like every artist, I strive to express myself in every single piece, to find a place where each item says “I was created by Wolfgang”. Thus, although we can never achieve perfection, each item is unique and all of them carry a piece of my soul.
Les left a career in special needs teaching in January 2015, to pursue a life-long interest in working with wood, by developing his hobby of woodturning, which he had commenced just 2 years earlier. He is based in the town of Bala, in the Snowdonia National Park where he has his principal workshop and where he sources most of his raw materials. Whilst he is content to make functional, utilitarian pieces, Les prefers to work with storm-damaged and weathered timber, incorporating materials such as leather, copper, silver and semi-precious stones into his work. Les’s work has been included in both the on-line gallery and in the printed newsletter of the Association of Woodturners of Great Britain, and he has had the honour of having more than 30 of his more artistic pieces declared ‘Woodturning of the Week’ by an international woodturners’ web-site. and his work has been exhibited in galleries and arts centres throughout north Wales. In March of 2015, upon setting up his business, Les set himself the goal of developing his wood-turning skills to a sufficiently high level to be accepted onto the Register of Professional Turners, and he gained this accolade in February 2016, becoming one of only four registered woodturners then working in Wales. With a first-class honours degree in Education and Training, and with years of experience in adult education, a natural progression of Les’s work is the tutoring that he commenced in 2017 and which has since become a major element in his woodturning business. Since 2018 Les has been a regular feature writer and Guest Editor for the world-famous “Woodturning” magazine, which is published by The Guild of Master Craftsmen – GMC Publications. Primarily Les writes articles of a practical, project-based nature, but also occasionally articles of technical content.
I enjoy the whole process of making each piece, it is what being a maker is all about. Yes, I love the feeling of completion but it’s the journey too. My degree is 3Dimensional Art & Design, wood, metal & plastics. On year 2 of my course i started sticking materials together, this is where I developed my ideas of lamination, but it was when I discovered the coloured veneers that the fun of turning began for me. From the sketch book, pencils and paints, the idea develops, then the prototype, the stripes. Making up my laminated blocks using wood, veneers and glue, it all looks pretty messy until it goes on the lathe and I begin to turn the piece, then I stop the lathe and there are the stripes, so crisp and bright, it’s a great feeling! I make many functional pieces using my laminated blocks of wood. Each design has it’s own configuration of lines and they all have stripes somewhere; Bowls, lidded pots, hollow pots with striped finials. Functional items; corkscrews and bottle stoppers, cheese and butter knifes, cheese boards, salt and pepper mills. And to wear; necklaces, earrings, cufflinks. I make items to order and by commission. To see more work please visit: carlynlindsay.co.uk
I am a professional Woodturner based in a little village called Ahoghill near ballymena in Co Antrim, I started my journey into woodturning in 1986 doing mainly production work for the joinery and Cabnet making trades. At this time I was running my turning businesses part time alongside my employment as a joiner.
I set up my current workshop in 1989 and am very happy working in it, when my employment came to an end a few years back I decided that it was time to give woodturning my all and went full time.
I now make a very wide range of products for a very wide range of customers from joinery firms to bespoke retail shops to sculptural architects etc
My work (via my etsy shop and other contacts) has travelled all over the world.
I also have demonstrated widely over the island and also in England.
I’ve always enjoyed working with wood and I first took up woodturning in 2013 as what I called my “retirement hobby” to ensure that I would have something to occupy myself in my retirement. I retired in 2016 after working for 30 years in the Oil and Gas Industry, the last 20 of which I lived near Aberdeen. Once I had retired we moved back down to my home county of Yorkshire and I now live near Huddersfield where woodturning has become a regular aspect of my daily life.
I am an AWGB Approved Tutor, a member of The Heritage Craft Association and a Trustee and Committee member of the Huddersfield and District Woodturners.
I am currently specialising in Basket Illusion Bowls and Coloured and Lacquered Hollow Forms although I turn a large variety of other items that I sell. I get a lot of enjoyment from learning new skills and creating something that I have not done before.
I started demonstrating to local woodturning clubs in 2022 and I’m currently developing that aspect of my portfolio.
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