Below are all the registered professional turners who offer a demonstration service, ordered by the most recently updated member first. Click their photo or their name to view the complete details, or use the ‘Show Bio’ or ‘Show Map’ links for a quick view.
Based at Porchfield Business Park near Newport on the Isle of Wight, The Mulberry Tree Woodturnery was started in March 2013 by Andy Fortune.
Andy had been a hobby wood turner since 1997 with the purchase of his first lathe and later started his full-time wood turning business with the help and support of his wife, Nikki.
Andy has many years of experience and specialises in making bowls, platters and hollow forms from locally sourced timber from the Isle of Wight but can also offer specialist bespoke turning services for most types of turning.
Many of Andy’s one-off signature pieces are laced with leather or copper wire in the style of the Japanese philosophy of ‘Wabi-Sabi’ and are made from individually selected pieces of timber sourced on the island.
Andy sells his own unique hand crafted turnery, takes commissions, and sells direct to the public at the Mulberry Tree Woodturnery workshop where he also provides his 5* rated beginner and intermediate bowl turning courses for individuals or groups of up to four people.
Andy is an active member of the Wight Woodturners which meets twice monthly in Newport. (www.wightwoodturners.org.uk)
The Mulberry Tree Woodturnery is the main Isle of Wight agents for Record Power tools and equipment, Robert Sorby, Chestnut Finishing Products and Hampshire Sheen.
With the recent addition of a horizontal sawmill Andy is now able to process locally sourced trees which he converts into boards and bowl blanks to retail to local woodworkers, hobbyists and the building trade.
Following my Fine Arts Degree, I worked at the National Theatre in the Prop Making Department for 27 years and was the main woodturner. This meant I combined my Fine Arts skills with all manor of crafts and problem solving; for example making a 7 metre table with 9” square section turned legs for Richard 3rd, which had to survive being violently thrown over by Sir Ian McKellen every night in order to form a defensive battlement! I made an exceptional barber’s chair for the production of Sweeney Todd for which I had to make a welded metal frame clad with a very complicated series of split turnings to disguise the mechanism.
Following my Theatre career I now do individual commissions from small runs of production work such as furniture legs and decorations etc. I am also a Potter and turn items in wood to compliment this work, such as wooden lids for the caddies I make.
Please feel free to contact me via my email address, commissions are welcome.
Phil Jones has a lifetime of experience in woodturning and has a wide range of experience to fall back on, whether you require a one-off item or a production run of turned items whether copy turned on a copy lathe for mass production or as is often required hand turned. The picture is of a set of African Blackwood door handles which are finished to a very high standard whether you require a small antique replacement part or a run of chair back sticks Phil is likely to have completed them previously.
Phil was taught by time served woodturners in an informal apprenticeship and has also worked in other woodturning establishments before starting Acorn woodturning Ltd in 1988 although it was initially as a sole trader rather than Ltd. He also offers woodturning lessons in a well-equipped traditional woodturning workshop with all the tools and safety equipment provided. The workshop has dust extraction and ambient air filters, tools and lathes, and a plentiful supply of timber, just waiting to be turned into shavings and of course a completed item.
The first time of placing gouge on timber conjured a very visceral response – a feeling of being home. This, however, happened some 25 years ago, during years living in New Zealand, eleven and a half thousand miles away from home.
The immediacy and spontaneity of shaping timber on a lathe became such a joy and so captivating; the relationship with the timber, process and the lathe never failed to create inner peace.
My early work was driven by a desire to perfect technique. Consequently, this created a diverse range of work and skills. Latterly, my work is more considered, but never loosing that sense of humour I impart to some of my work.
Woodturning and designing on the lathe with its creative possibilities continue to enthral and my fascination with the medium keeps me driven to find the perfect curve; for some artists the process is not important. For me however, it is one part of the whole. Whatever I create, the search for perfect form and sensuous curve is paramount.
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